I wonder how much this world of gesture and of the senses — the things we see, feel, hear, smell, and taste — is implicitly embedded in the textual corpora we humans produce and in the value judgements we derive from it. When we hold truths to be self-evident, is a sense memory of the physical act of holding somehow contributing to the meaning (is it, in fact, helping to “carry” or “support” that meaning?)
她的叙述里缠绕着一种根深蒂固的自卑，认为自己和小舅长得丑，是母亲最不喜欢的两个孩子。她没上过学，从小学习制衣，生活贫寒，婚姻亦不幸福。她唯一的女儿从旁解释：“头胎生儿子像皇帝，（所以家里人）对我妈没那么关心。”在异国的晚年，她与女儿加入教会，一起唱诗。
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那条小巷，就是我自由的“后花园”。我们在小水潭捉蝌蚪，到姐姐家里看《还珠格格》，去对面邻居家玩小霸王，在树下跳皮筋，元宵节用酒盒自制灯笼后排成小队“出街”……